When Ticket Revenue Doesn’t Equal Attendance: What’s Opera Doc?

ticketsalesattendance

I was reading a piece about the sharp decline of NASCAR ticket revenue and was intrigued. In NASCAR’s three publicly traded companies, all have seen a sharp decline over the years.

For example, at Daytona Beach, the International Speedway Corp.lost more than 40 percent of its ticket revenue, falling to $144 million” while the Charlotte Speedway Motorsports Inc.has lost more than a quarter of its admission revenue, falling to $130 million.” Dover Motorsports Inc. took the biggest hit “with admission revenue falling nearly 60 percent, to $13.6 million last year.

The piece gives various reasons for the decline in ticket revenue, and offers some solutions the different franchises are considering or actively doing, yet, this statement is interesting given what can amount to a loss of 57,000 (current capacity of Daytona Speedway is 147,000) butts in the seats:

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Unexpected non-standard cello techniques

non-standard-cello

Several years ago I came across George Dennehy, the boy who played the cello with his feet because he was born without arms and hands.  Every once in a while I’d take a look to see what other differently-abled* folks are doing with the cello (or other instruments) since I have a driving curiosity to learn about alternative string techniques.

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All Opera Companies in the US

Carmen-Met

This is just a short post about the new list I’m compiling of all opera companies in the US that I started a couple days ago. While it’s nice to see how much activity is being done in the opera scene since 2000, this won’t show us the overall trajectory of opera in the US and that’s something in which I am just as interested. Since starting this list of all companies I’ve also come across another 10 companies formed since 2000 bringing the number of companies formed in the 21st century to over 110.

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Jim Carrey, Steve Martin, Classical Music, and why you might not want to follow your passion…

Carrey-ComSpeech

I’m sure most of you have seen the recent Jim Carrey commencement speech (or at least the shortened clickbait version).  If not, here’s the short one:

While it is inspirational and uplifting if we put aside some of the issues of privilege in Carrey’s situation which I’ve been having discussions about with some folks elsewhere, this Salon.com piece, Dear graduates: Don’t follow your dreams (A commencement speech for the mediocre), by Tim Donovan reiterates what I’ve talked about regarding Survivorship Bias in two previous posts. Interestingly, Donovan’s piece isn’t specifically a response to Carrey’s speech as the post was published two days prior to the Maharishi University of Management Graduation.

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Opera in the 21st Century

Pic from the Thompson Street Opera Company dress rehearsal of "Ile" by Ezra Donnner. photo by Chelsey Jackson

This is an update from my post about New Opera organizations formed since 2000 a little over a week ago and the list I’ve been compiling since then. To date I’ve found over 100 organizations which produce opera.  Most of these are actual opera companies with a handful of what look like festivals or presenting organizations or new music ensembles which commission operas for performance by the group.

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