Mae Mai

Boldly going where no cellist has gone before…

Menu Skip to content
  • About
  • Southeast Asian String Pedagogy
  • Slave Orchestras, Choirs, Bands, and Ensembles, A Bibliography
  • Early Black Musicians, Composers, and Music Scholars (505-1505 CE)
  • Diversity, Inclusive Programming, and Music Education Series
  • silpayamanant.com

Category: Cross-Cultural criticism

February 19, 2021February 20, 2021 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Anti-Colonial Orchestras: A Cultural Response to Classical Music Imperialism

January 18, 2021January 18, 2021 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Slave Orchestras: Classical Gabfest Interview Transcript

October 1, 2020 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

US Orchestras and Large Ensembles

September 15, 2020September 15, 2020 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Colonialism, White Supremacy, and the Logic of Exclusion of Colored Bodies in Classical Music

July 30, 2020August 1, 2020 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Classical Music and its Slave Orchestras

July 10, 2020July 10, 2020 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Made in Thailand: Composed in America

June 22, 2020 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Diversity, Inclusive Programming, and Music Education (part 4): Immigration

June 15, 2020February 22, 2021 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Diversity, Inclusive Programming, and Music Education (part 3): Assimilation

June 8, 2020June 13, 2020 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Diversity, Inclusive Programming, and Music Education (part 2): Postcolonialism

June 1, 2020June 13, 2020 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Diversity, Inclusive Programming, and Music Education (part 1)

Orchestra Ethiopia
February 16, 2020February 17, 2020 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Colonialistic Diversity: Decentering Eurocentric Orchestras and Normalizing *all* Composition

January 1, 2020January 1, 2020 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

2020 is the year of #NotBeethoven

July 23, 2019July 24, 2019 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

White Males Orchestras and America’s Other Orchestras

January 1, 2019March 18, 2020 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Classical Music, the Perpetual Foreigner Trope, and Colonialism

July 18, 2018June 27, 2020 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Diversity in Classical Music vs Diversity of Classical Music

November 17, 2017December 1, 2017 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Decolonizing the Musical Mind

July 24, 2017July 24, 2017 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

There are covers and then, there are Covers

June 13, 2017 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

The Parochialism of “Everything Except Rap and Country”

Posts navigation

Older posts

Follow Mae Mai on Twitter

My Tweets

Jon’s Facebook Page

Jon’s Facebook Page

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 3,760 other followers

Recent Comments

Jon Silpayamanant -… on The Other Orchestras (part 1):…
LISA Mandelstein on The Other Orchestras (part 1):…
Anti-Colonial Orches… on Anti-Colonial Orchestras: A Cu…

Recent Posts

  • Anti-Colonial Orchestras: A Cultural Response to Classical Music Imperialism
  • Slave Orchestras: Classical Gabfest Interview Transcript
  • US Orchestras and Large Ensembles

Meta

  • Register
  • Log in
  • Entries feed
  • Comments feed
  • WordPress.com

Visitors

Flag Counter

Mai Mae on Twitter

  • This is the make-up of Philharmonic societies, but also often of conservatories in Kazakhstan. (20/end) twitter.com/silpayamanant/…Posted 3 hours ago
  • This overlaps with how diversity is an extension of colonial power and what counts as diversity--namely colored bod… twitter.com/i/web/status/1…Posted 5 hours ago
  • That was incredibly cathartic!Posted 6 hours ago
  • Link for those on FB. facebook.com/events/2678308…Posted 9 hours ago
  • And Western trained musicians wouldn't recognize any of the modern period composers and repertoire studied in Kazak… twitter.com/i/web/status/1…Posted 9 hours ago
Follow @Silpayamanant

Category Cloud

Aesthetics American Classical Music History Art Arts Education Arts Funding Audiences Bellydance Blogging Business Cello Classical Music Crisis Crisis Comics Cross-Cultural criticism Culture Diversity Economics Education Film klingon music Local Culture Louisville Music Orchestra Reform Orchestras pedagogy Post-Colonialism Research Resources State of the Arts World Music
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
Cancel

 
Loading Comments...
Comment
    ×