June 22, 2020 Jon Silpayamanant

Diversity, Inclusive Programming, and Music Education (part 4): Immigration

June 15, 2020July 1, 2020 Jon Silpayamanant

Diversity, Inclusive Programming, and Music Education (part 3): Assimilation

June 8, 2020June 13, 2020 Jon Silpayamanant

Diversity, Inclusive Programming, and Music Education (part 2): Postcolonialism

June 1, 2020June 13, 2020 Jon Silpayamanant

Diversity, Inclusive Programming, and Music Education (part 1)

February 16, 2020February 17, 2020 Jon Silpayamanant

Colonialistic Diversity: Decentering Eurocentric Orchestras and Normalizing *all* Composition

January 1, 2020January 1, 2020 Jon Silpayamanant

2020 is the year of #NotBeethoven

July 23, 2019July 24, 2019 Jon Silpayamanant

White Males Orchestras and America’s Other Orchestras

January 1, 2019March 18, 2020 Jon Silpayamanant

Classical Music, the Perpetual Foreigner Trope, and Colonialism

July 18, 2018June 27, 2020 Jon Silpayamanant

Diversity in Classical Music vs Diversity of Classical Music

November 17, 2017December 1, 2017 Jon Silpayamanant

Decolonizing the Musical Mind

July 24, 2017July 24, 2017 Jon Silpayamanant

There are covers and then, there are Covers

June 13, 2017 Jon Silpayamanant

The Parochialism of “Everything Except Rap and Country”

September 13, 2016 Jon Silpayamanant

All Orchestras are Ethnic Orchestras

March 5, 2015March 5, 2015 Jon Silpayamanant

The Other Orchestras (part 1): Ethnic Orchestras

February 1, 2015January 23, 2016 Jon Silpayamanant

The many types of Orchestras…and how they have evolved

January 22, 2015 Jon Silpayamanant

Classical Music is alive because it’s constantly evolving

January 3, 2015 Jon Silpayamanant

On Faux Musical Quality, Popularity, and Relevance

December 2, 2014December 2, 2014 Jon Silpayamanant

Walking with Dinosaurs