
Category: Cross-Cultural criticism


Slave Orchestras: Classical Gabfest Interview Transcript

US Orchestras and Large Ensembles

Colonialism, White Supremacy, and the Logic of Exclusion of Colored Bodies in Classical Music

Classical Music and its Slave Orchestras

Made in Thailand: Composed in America

Diversity, Inclusive Programming, and Music Education (part 4): Immigration

Diversity, Inclusive Programming, and Music Education (part 3): Assimilation

Diversity, Inclusive Programming, and Music Education (part 2): Postcolonialism

Diversity, Inclusive Programming, and Music Education (part 1)

Colonialistic Diversity: Decentering Eurocentric Orchestras and Normalizing *all* Composition

2020 is the year of #NotBeethoven

White Males Orchestras and America’s Other Orchestras

Classical Music, the Perpetual Foreigner Trope, and Colonialism

Diversity in Classical Music vs Diversity of Classical Music

Decolonizing the Musical Mind

There are covers and then, there are Covers
