June 22, 2020 Jon Silpayamanant

Diversity, Inclusive Programming, and Music Education (part 4): Immigration

June 15, 2020July 1, 2020 Jon Silpayamanant

Diversity, Inclusive Programming, and Music Education (part 3): Assimilation

June 8, 2020June 13, 2020 Jon Silpayamanant

Diversity, Inclusive Programming, and Music Education (part 2): Postcolonialism

June 1, 2020June 13, 2020 Jon Silpayamanant

Diversity, Inclusive Programming, and Music Education (part 1)

February 16, 2020February 17, 2020 Jon Silpayamanant

Colonialistic Diversity: Decentering Eurocentric Orchestras and Normalizing *all* Composition

January 1, 2020January 1, 2020 Jon Silpayamanant

2020 is the year of #NotBeethoven

July 23, 2019July 24, 2019 Jon Silpayamanant

White Males Orchestras and America’s Other Orchestras

January 18, 2017January 18, 2017 Jon Silpayamanant

Is Classical Music in the “Real World”?

September 19, 2016September 19, 2016 Jon Silpayamanant

Orchestras in the US formed since 2000

January 20, 2016 Jon Silpayamanant

Musical Thoughts, Reflections, Questions, and other Ephemera…

February 1, 2015January 23, 2016 Jon Silpayamanant

The many types of Orchestras…and how they have evolved

January 22, 2015 Jon Silpayamanant

Classical Music is alive because it’s constantly evolving

January 7, 2015 Jon Silpayamanant

Who is Paul McCartney, part II

January 1, 2015 Jon Silpayamanant

Essential Tools for the 21st Century Musician: Technology

December 17, 2014December 20, 2014 Jon Silpayamanant

Discovering your Band or Orchestra’s Roots

October 6, 2014October 7, 2014 Jon Silpayamanant

Live audiences for Movies matter less than for Classical Music

September 30, 2014October 3, 2014 Jon Silpayamanant

5 Things Classical Musicians should know about being in a Band

September 27, 2014September 27, 2014 Jon Silpayamanant

The Zombie Apocalypse is like the Classical Music Crisis