Category: Post-Colonialism
Slave Orchestras: Classical Gabfest Interview Transcript
US Orchestras and Large Ensembles
Colonialism, White Supremacy, and the Logic of Exclusion of Colored Bodies in Classical Music
Classical Music and its Slave Orchestras
Made in Thailand: Composed in America
Diversity, Inclusive Programming, and Music Education (part 4): Immigration
Diversity, Inclusive Programming, and Music Education (part 3): Assimilation
Diversity, Inclusive Programming, and Music Education (part 2): Postcolonialism
Diversity, Inclusive Programming, and Music Education (part 1)
Colonialistic Diversity: Decentering Eurocentric Orchestras and Normalizing *all* Composition
White Males Orchestras and America’s Other Orchestras
Classical Music, the Perpetual Foreigner Trope, and Colonialism
Diversity in Classical Music vs Diversity of Classical Music
The Invisible Hand of the Great White Male Musical and Artistic Canons
How Easy is it to Avoid the Art of Monstrous Men?
Decolonizing the Musical Mind
