June 22, 2020 Jon Silpayamanant

Diversity, Inclusive Programming, and Music Education (part 4): Immigration

June 15, 2020July 1, 2020 Jon Silpayamanant

Diversity, Inclusive Programming, and Music Education (part 3): Assimilation

June 8, 2020June 13, 2020 Jon Silpayamanant

Diversity, Inclusive Programming, and Music Education (part 2): Postcolonialism

June 1, 2020June 13, 2020 Jon Silpayamanant

Diversity, Inclusive Programming, and Music Education (part 1)

February 16, 2020February 17, 2020 Jon Silpayamanant

Colonialistic Diversity: Decentering Eurocentric Orchestras and Normalizing *all* Composition

July 23, 2019July 24, 2019 Jon Silpayamanant

White Males Orchestras and America’s Other Orchestras

January 1, 2019March 18, 2020 Jon Silpayamanant

Classical Music, the Perpetual Foreigner Trope, and Colonialism

July 18, 2018June 27, 2020 Jon Silpayamanant

Diversity in Classical Music vs Diversity of Classical Music

December 28, 2017December 29, 2017 Jon Silpayamanant

The Invisible Hand of the Great White Male Musical and Artistic Canons

December 13, 2017March 18, 2020 Jon Silpayamanant

How Easy is it to Avoid the Art of Monstrous Men?

November 17, 2017December 1, 2017 Jon Silpayamanant

Decolonizing the Musical Mind

March 5, 2015March 5, 2015 Jon Silpayamanant

The Other Orchestras (part 1): Ethnic Orchestras

May 2, 2014May 2, 2014 Jon Silpayamanant

Myth of the Monolithic Pop Culture

January 25, 2014 Jon Silpayamanant

The Pan African Orchestra

February 14, 2013September 21, 2013 Jon Silpayamanant

“I’m having trouble with the idea that art is universal lately”

March 24, 2012December 2, 2019 Jon Silpayamanant

What if there’s really no “decline” in Classical Music audiences?

October 31, 2011 Jon Silpayamanant

“I hope next time we’ll have an opera in Arabic and I think it should feature the oud, which is one of my favourite instruments”

June 18, 2011May 8, 2012 Jon Silpayamanant

the economics of underserved audiences (part 3): Baumol’s Curse and Liberation from Local Arts Organizations