Mae Mai

Research blog of Jon Silpayamanant (โจนาทาน ศิลปยามานันท์)

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Category: Racism

January 18, 2021January 28, 2022 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Slave Orchestras: Classical Gabfest Interview Transcript

September 15, 2020September 15, 2020 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Colonialism, White Supremacy, and the Logic of Exclusion of Colored Bodies in Classical Music

July 30, 2020August 1, 2020 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Classical Music and its Slave Orchestras

July 10, 2020July 10, 2020 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Made in Thailand: Composed in America

June 22, 2020 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Diversity, Inclusive Programming, and Music Education (part 4): Immigration

June 15, 2020February 22, 2021 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Diversity, Inclusive Programming, and Music Education (part 3): Assimilation

Orchestra Ethiopia
February 16, 2020February 17, 2020 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Colonialistic Diversity: Decentering Eurocentric Orchestras and Normalizing *all* Composition

July 23, 2019July 24, 2019 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

White Males Orchestras and America’s Other Orchestras

July 18, 2018June 27, 2020 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Diversity in Classical Music vs Diversity of Classical Music

December 28, 2017December 29, 2017 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

The Invisible Hand of the Great White Male Musical and Artistic Canons

May 10, 2014May 10, 2014 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Myth of the “General Audience,” Classical Music, and Token Activism

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  • Orchestres anti-coloniaux : une réponse culturelle à l’impérialisme de la musique classique occidentale
  • BBC Radio 3: World of Classical
  • University Course Readings, Pedagogical Resources, and Bibliographies for Intercultural and Hybrid Music Ecosystems and Histories

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