Mae Mai

Boldly going where no cellist has gone before…

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Category: Music Education

January 18, 2021January 18, 2021 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Slave Orchestras: Classical Gabfest Interview Transcript

October 1, 2020 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

US Orchestras and Large Ensembles

September 15, 2020September 15, 2020 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Colonialism, White Supremacy, and the Logic of Exclusion of Colored Bodies in Classical Music

July 10, 2020July 10, 2020 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Made in Thailand: Composed in America

June 22, 2020 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Diversity, Inclusive Programming, and Music Education (part 4): Immigration

June 15, 2020February 22, 2021 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Diversity, Inclusive Programming, and Music Education (part 3): Assimilation

June 8, 2020June 13, 2020 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Diversity, Inclusive Programming, and Music Education (part 2): Postcolonialism

June 1, 2020June 13, 2020 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Diversity, Inclusive Programming, and Music Education (part 1)

February 23, 2011March 18, 2020 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Wednesday Teaching Reflections: Cello Schools of Playing

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  • University Course Readings, Pedagogical Resources, and Bibliographies for Intercultural and Hybrid Music Ecosystems and Histories
  • Anti-Colonial Orchestras: A Cultural Response to Classical Music Imperialism
  • Slave Orchestras: Classical Gabfest Interview Transcript

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