Mae Mai

Boldly going where no cellist has gone before…

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Category: Culture

February 19, 2021February 20, 2021 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Anti-Colonial Orchestras: A Cultural Response to Classical Music Imperialism

January 18, 2021January 18, 2021 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Slave Orchestras: Classical Gabfest Interview Transcript

October 1, 2020 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

US Orchestras and Large Ensembles

September 15, 2020September 15, 2020 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Colonialism, White Supremacy, and the Logic of Exclusion of Colored Bodies in Classical Music

July 10, 2020July 10, 2020 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Made in Thailand: Composed in America

June 22, 2020 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Diversity, Inclusive Programming, and Music Education (part 4): Immigration

June 15, 2020February 22, 2021 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Diversity, Inclusive Programming, and Music Education (part 3): Assimilation

July 24, 2017July 24, 2017 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

There are covers and then, there are Covers

June 13, 2017 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

The Parochialism of “Everything Except Rap and Country”

January 18, 2017January 18, 2017 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Is Classical Music in the “Real World”?

May 19, 2016 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

What’s it like playing Pop Music when you’re not a Pop Superstar?

November 27, 2015November 27, 2015 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Pop Music Attrition

March 5, 2015March 5, 2015 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

The Other Orchestras (part 1): Ethnic Orchestras

January 22, 2015 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Classical Music is alive because it’s constantly evolving

January 3, 2015 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

On Faux Musical Quality, Popularity, and Relevance

December 2, 2014December 2, 2014 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Walking with Dinosaurs

October 13, 2014May 21, 2015 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Young Audiences (part 1): Hollywood, Classical Music, and the costs of Social Justice

June 18, 2014September 11, 2017 Jon Silpayamanant - โจนาทาน ศิลปยามานันท์

Jim Carrey, Steve Martin, Classical Music, and why you might not want to follow your passion…

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  • Anti-Colonial Orchestras: A Cultural Response to Classical Music Imperialism
  • Slave Orchestras: Classical Gabfest Interview Transcript
  • US Orchestras and Large Ensembles

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Mai Mae on Twitter

  • This is the make-up of Philharmonic societies, but also often of conservatories in Kazakhstan. (20/end) twitter.com/silpayamanant/…Posted 1 hour ago
  • This overlaps with how diversity is an extension of colonial power and what counts as diversity--namely colored bod… twitter.com/i/web/status/1…Posted 4 hours ago
  • That was incredibly cathartic!Posted 5 hours ago
  • Link for those on FB. facebook.com/events/2678308…Posted 8 hours ago
  • And Western trained musicians wouldn't recognize any of the modern period composers and repertoire studied in Kazak… twitter.com/i/web/status/1…Posted 8 hours ago
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