Classical Music, the Perpetual Foreigner Trope, and Colonialism

So a few days ago I started a thread on twitter about Classical Music and Colonialism. I’ve never done twitter thread before–never really considered using the social media platform as a way to convey more in-depth ideas. After having spent some time this past year following a few twitter users pretty faithfully and seeing how they’ve used threads I decided I wanted to try it out. The thread has gotten mostly positive responses and shares on various social media.

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How Easy is it to Avoid the Art of Monstrous Men?

Actually, it’s ridiculously easy.

I’ll just stick to music, since that’s what I usually focus on in this blog. And let me qualify the “ridiculously easy” by stating that I’m referring to the work of folks that may only be scratching the surface of those that remain unaccused–there may very well (and very likely) that there are many more “Monstrous Men” out there. Granted, we may all have different definitions of what constitutes “Monstrous Men” but expand or contract that definition for yourself at your leisure.

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When are too many bands a thing?

Six years ago, I wrote a post called the perils of having too many bands… and at the time I thought I was coming to an upper limit, but little did I understand our capacity to reorganize time when pressed. The image above is a collage of many of the groups I’ve had the pleasure of performing with last year, and doesn’t come close to including a number of pick-up or sideman gigs I took. In the well over 200 events I performed at in 2016, I played with nearly 40 different configuration of musicians and performers in dozens of genres.

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“If you try to please everyone, you’ll end up pleasing no one.”

The other day, I was thinking about the Aesop’s Fable, “The Miller, His Son, and Their Ass“, while I was reflecting on the direction my musical career has taken. This was after a nine-day stint of 23 performances across a variety of musical genres.*

You are surely familiar with the story–a miller and his son take their ass to the market to sell it and along the way they meet several individuals or groups of people who comment or criticize them on their trip. The miller and his son adjust their journey according the comments or criticisms: when told they should be riding the ass, the miller puts his son on the ass; when criticized for not respecting the aged, the miller replaces himself on the ass; when criticized for being lazy, the miller then lets his son ride behind him; and when told they could more easily carry the ass rather than have it carry them, they proceed to tie the legs of the beast and haul it around with a pole. As they cross a bridge near the town, the townsfolk laugh at the sight before them and the commotion frightens the ass which breaks free of the restraints and tumbles into the river.

The obvious moral of the story is that if you try to please everyone, you end up pleasing no one.

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