CN sexual assault
In a poignant piece about reconciling enjoyment of art when the producer of that art is known to be morally or criminally suspect Claire Dederer has really gotten to the meat of the issue. While she doesn’t end up giving us a definitive answer to whether we should embrace the art while separating the artist from it her questions, reflections, and insights might reflect the contemporary zeitgeist for reparative (and possibly preventative) justice.
Continue reading “The Art of Monstrous Men”
A few weeks ago, I started re-reading Ngũgĩ wa Thiong’o
’s “Decolonising the Mind: The Politics of Language in African Literature
(1986) and for some reason this time reading it brought me back to the time when I quit playing the cello (right out of music school). A couple weeks ago, I mentioned here on my page
, that I was slowly saying farewell to most Western Music (I’ll have to qualify that at another time). I mentioned some of those reasons in my latest blog post
a couple months ago, and was in the middle of a couple of posts clarifying some things (one of which is this post).
Continue reading “Decolonizing the Musical Mind”
As usual, I’m too busy doing music to blog about music. Which is a good thing, but there are times I wish I’d gotten out of the music business. This is not one of them, or rather-this post isn’t about that.
Continue reading “Sharing the World Through Music”
I do a lot of covers. In a sense, I spend most of my musical life doing covers. Playing a Beethoven Symphony? Cover. Playing a 14th century Turkish Mevlevi song? Cover. Playing a piece I wrote? Cover.
“But you’re playing an original tune, not a cover,” you might say. Well, as I’ve been saying for the past couple of decades, “If you’re not improvising in real time, then you’re just covering yourself.” In other words, “Original” music can also be “Cover” music.
Continue reading “There are covers and then, there are Covers”
Last Thursday I went to what was the final show at Dreamland and was able to get a copy of the cassette release of Chris Kincaid’s Overshot for String Quartet and Electronics (listen to excerpts of it below). This is something I recorded for Chris back in June of last year (as well as an earlier version for multiple cellos) which he used in sound installations. It’s now the latest of a growing catalogue of album releases on which I appear. I’m often asked why I don’t have any solo album releases or if I plans to do one. Usually I’ll respond that I have a few on the back-burner that I haven’t had the time to complete.
Continue reading “Why I don’t release albums”