So I’ve technically done my first drum solo now. Sure I’ve drummed for dancers for years and have played for who knows how many dancers, but tonight (or technically, last night) I’ve performed my first honest to goodness drum solo. Sure, I’ve been in settings where I’ve played back up for another drum soloist (and I understand that the idea of a ‘drum solo’ can be confusing when it can include more than one musician and/or dancers, but indulge me for a bit) and have drummed ‘solo’ in workshop settings for dancers playing rhythms as a teaching tool for workshop attendees.
But never as a soloist in a performative setting.
The biggest irony here is that the many years of playing drums included mainly playing Egyptian tabla or other Middle Eastern drums for mostly bellydancers (the occasional gig playing with Greek bands or my Balkan band, Kermes for Greek folk dancers and Balkan folk dancers notwithstanding). What is ironic is that my first drum solo happened to be on the doira, for Uzbek dance. And it looks like most of my drum soloing will include many more Central Asian styles–the next piece that Raks Makam will be working on is a Bukharan doira solo. I’m stoked for this and so looking forward to learning more about all this wonderful Central Asian music!
Most importantly, I just love working so closely with dancers. Really I love working with any collaborators in general, but especially non-musicians, and most especially with artists in an art form that is so closely tied to music as dance is.
Being a soloist (musician) means a couple of obvious things. No one else is responsible for learning the music but me, which means that while I have no one getting in the way of picking up a new tune. The other thing is I also have no one else to rely on if things go awry musically. I’ll trade the one pressure for the other in a heartbeat!
Ok, I must get some sleep before heading up to Chicago to play some Klingon music!