If you are reading this, it’s because it was written earlier today and set to future post as I will be performing at the Sweet Surrender Dessert Cafe in Louisville (KY) when this autoposts. The group I’ll be playing with is Ahel El Nagam, a Kentuckiana based Classical Arabic music group.
Ahel El Nagam’s bio:
Ahel El Nagam means, “people of the tune.” We are a new Middle Eastern music band in Louisville, KY. We were founded in April of 2007 and we are working hard to develop a repertoire full of traditional and classical Middle Eastern songs. We are available for cultural events, private parties, and shows at restaurants and coffee houses around Louisville as well as the greater tri-state (Indiana, Kentucky and Ohio) area.
More info about us and my relationship with the group may be found in a previous post.
Sweet Surrender is having a fundraiser for for the Leukemia and Lymphoma Society. Details for the day long event follow:
On Thursday, March 24, Sweet Surrender Dessert Café will host a fundraiser to benefit The Leukemia & Lymphoma Society. All day, from 10 AM to 10 PM, a sampling of 10 desserts will be offered for $15 per person. Coffee is included. A portion of the entire day’s proceeds will be given to The Leukemia & Lymphoma Society Team in Training.
A whole 10” cake and other prizes will also be raffled off. Tickets for the raffle can be purchased for $2.00 each throughout the week. All of the proceeds from the raffle will go directly to The Leukemia & Lymphoma Society.
In addition to great desserts and great prizes, live music will begin at 8 PM.
Tonight I’ll be rehearsing with one of my other bands, Ahel El Nagam (yes, the website is very much in need of updating–I’ll get to that when I have a chance-hah!). We bill ourselves as Louisville’s Classical Arabic Band as most of our repertoire consists of, well, Classical Egyptian tunes as well as a number of folk and traditional tunes from Turkey, Armenia, Iraq, Andalusia, Israel and other countries and regions from the Middle East. Ahel El Nagam means, roughly, “People of the Tune.”
The group formed sometime in the middle of 2007 and I believe my first performance with them was sometime during the Spring of 2008. At it’s formation the group was four members strong with an instrumentation that ranged from oud, tabla (Egyptian tabla), flute/bellydance, electric sitar/mandolin. The first couple of shows I played with them (with cello) we had a five member group.
Sadly, we’ve slowly lost “full time” members as folks move on, or move out of the area, or whatever. The majority of the shows we’ve played the past couple of years have been pretty much what you see in the photo above, me on tabla (or cello) and Denise on oud (or tabla/riqq). We’d both been far too busy the past few months to rehearse much less play a show, though with some upcoming gigs in the works we’re getting together for the first time since last fall (I believe). Continue reading “Thursday Rehearsal Reflections: Ahel El Nagam”→
Notably, the aesthetic of individuality is consistent with timbral specialization within the traditional ensemble. The takht specifically is a collection of khāmāt ṣawtiyyah, “sound timbres,” that are individually distinguished as well as imbued with ecstatic connotations. Incorporating one of each type of instrument, for example one ‘ud, one qanun, one nay, one violin, and one riqq, the takht amounts to few layers of discernible timbral-acoustical lines. Thus, it can be contrasted with such “unitimbral” but register-separated combinations, such as Europe’s Renaissance recorder of viol consorts, or for that matter the classical string quartet.