CN sexual assault
In a poignant piece about reconciling enjoyment of art when the producer of that art is known to be morally or criminally suspect Claire Dederer has really gotten to the meat of the issue. While she doesn’t end up giving us a definitive answer to whether we should embrace the art while separating the artist from it her questions, reflections, and insights might reflect the contemporary zeitgeist for reparative (and possibly preventative) justice.
Continue reading “The Art of Monstrous Men”
Some time ago one of my friends and one of the owners of a local record shop/venue, Modern Cult Records, posed a question (friends only post, unfortunately) on Facebook:
Why do so many bands tour directly around Louisville? How can we change this frustrating f**king trend? Do I need to open my own damn venue?
While a number of folks piped in with their explanations and suggestions for how that might be changed, anyone who’s been in any local scene outside of the big music meccas like New York, Chicago, and Nashville has probably felt this way at some point. Indeed, a few (including me) brought that point up–namely, that it’s a pretty regular scenario in most cities. This comment by Syd Bishop, musician and music writer for the LEO (Louisville Eccentric Observer) Weekly, sums up the sentiment nicely:
It seems a little absurd to assume that whatever sort of cliques may occur in Louisville are either unique to our city, or of such widespread knowledge that they would make it out of town. I doubt very much that anyone in, say, Des Moines, is sitting around bemoaning how clique-ish the Louisville scene is when they are booking a tour. This is all about logistics and money and nothing more.
Continue reading “What’s it like playing Pop Music when you’re not a Pop Superstar?”
I thought this was as humorous as the first round two years ago (sorry–no Dothraki love song info in today’s post). This blurb from the Boston Globe probably says it best–especially about how nostalgia culture has become a culture of its own:
Continue reading “Who is Paul McCartney, part II”
One of the many ideas that Crisis folks rely on is what we could call a Monolithic Pop Culture trope. The whole idea of Classical Music culture being rooted in the past (and therefore needing to “catch up” to contemporary culture) relies on this myth that culture has “evolved” (nevermind the problematic aspects of a type of Social Darwinism which implied in claim) to the point where Classical Music culture is no longer relevant.
Continue reading “Myth of the Monolithic Pop Culture”
*Trigger Warning* the article and video in the link below have descriptions of sexual assault
I just came across this piece about why Iggy Azalea no longer crowd surfs during concerts. While we talk about bringing in newer and younger audiences into Classical Music and how the field needs to change to reflect a changing world, I doubt (or would like to think) that those pundits and advocates intend for these types of activities to be included.
Continue reading “Pop Audience expectations – “No, you can’t put your fingers there!””