Some time ago one of my friends and one of the owners of a local record shop/venue, Modern Cult Records, posed a question (friends only post, unfortunately) on Facebook:
Why do so many bands tour directly around Louisville? How can we change this frustrating f**king trend? Do I need to open my own damn venue?
While a number of folks piped in with their explanations and suggestions for how that might be changed, anyone who’s been in any local scene outside of the big music meccas like New York, Chicago, and Nashville has probably felt this way at some point. Indeed, a few (including me) brought that point up–namely, that it’s a pretty regular scenario in most cities. This comment by Syd Bishop, musician and music writer for the LEO (Louisville Eccentric Observer) Weekly, sums up the sentiment nicely:
It seems a little absurd to assume that whatever sort of cliques may occur in Louisville are either unique to our city, or of such widespread knowledge that they would make it out of town. I doubt very much that anyone in, say, Des Moines, is sitting around bemoaning how clique-ish the Louisville scene is when they are booking a tour. This is all about logistics and money and nothing more.
So, why aren’t you in a band anyway? One of the things I think all Classical Music students (especially performers) should be required to do is play in a band. No, this doesn’t mean they should take up a guitar, bass, drums, or sing. What this does mean is that it should become an integral part of the performing experience–even if for just a semester. Learning the ropes on how to put together a set, getting booked, and dealing with a non concert hall type of venue would do more for teaching kids about the business of music than a class would, I’d think. Along the way, students would also be able to dispel a lot of myths about the Pop Music scene that we romanticize as a result of media representation or unrealistic portrayals of the industry through engagement with big name Pop Superstars.
In my post about new new music groups in Louisville I neglected to mention the Thompson Street Opera Company, about which I knew little. Fortunately, one of my colleagues in Eight.dB, Claire DiVizio, is actually the founder and executive producer of the company.
As you can see from their Facebook page, the Thompson Street Opera Company is
dedicated to producing works for the stage by emerging composers. Their inaugural production, the World Premiere of Ezra Donner’s “Antigone,” was a great success, and the Company continues to plan for future projects.
Here’s an excerpt of the Midwest premiere of Marcus Maroney’s “Dust of the Road”
The upcoming season will include these new works:
May 23-24 at 8PM, May 25 at 2PM: Emily by Eva Kendrick
May 30-31 at 8PM, June 1 at 2PM: The Rootabaga Stories by Yvonne Freckmann (WORLD PREMIERE) and Requiem for the Living by Ronnie Reshef
June 6-7 at 8PM, June 8 at 2PM: Ile by Ezra Donner
And if you’d like to contribute or donate, they company has started a kickstarter to fund this summer’s season!
Interestingly, I hadn’t thought about the fact that I’ve been involved in the premiere of an Opera in Louisville. And it happened to be one I’d written. The il Troubadore Klingon Music Project is a side gig for my world music group, il Troubadore, and we premiered an excerpt of my Klingon Opera-Ballet, “wa’ SaD ram wa’ ram je” at the ConGlomeration Science Fiction and Fantasy Convention back in April of 2011.
Here’s an aria, “maS bom” (Moon Song), from the Opera (in Klingon, of course) from a more recent performance we did at ConGlomeration last year (April 2013):
The next post in this series featuring new music in Louisville will focus more on the underground experimental scene which is growing and thriving more than I would have though possible since I move back to the area in 2006. Of course, I’ve transplanted at least one of my experimental projects down here from the Indianapolis area where I’d been based, and I’ve had the wonderful opportunity to collaborate and work with dozens of local experimental musicians over the past few years. I just can’t seem to keep my feet out of new music, it seems! 😛
One final thing–I didn’t have a photo to post in my blog about new new music in Louisville for Eight.dB as we didn’t have any photos to post of us. Fortunately, at last night’s rehearsal, Claire DiVizio (who’s also a member of the group if you recall) took some photos of us while reading through Nate Tucker‘s score, “Choose Your Own Adventure.” This was a posed shot before we started reading and didn’t include a couple of members who couldn’t make the rehearsal:
As I mentioned in my previous post, at least five groups have been formed in the past couple of years which focus significantly or exclusively on new music in the Louisville area. This is not to say that this exhausts the list of new and experimental groups in the area. For a mosre complete (but by no means exhaustive) list, please check out the ensembles and composers pages at the NuMuLu website. Now to the recently formed groups (and again–full disclosure: I’m involved with three of these group).
Camera Lucida (debut performance at the Commonwealth Gallery in Madison, WI on November 10, 2012)
While Camera Lucida, my interactive video, cello, and electronics project had its debut in Madison, Wisconsin, we do play the majority of our shows in the Greater Louisville Metro area. In the nearly 18 performances we’ve given since November 2012, only three have been well out of the area (St. Louis, Indianapolis, Madison). Here’s a video of one of our most recent performances at Dreamland premiering my piece, “Before Anaesthesia,” (February 27, 2014):
We also collaborate with local and touring musicians, dancers, like the Moving Collective, T.J. Borden, and my other new music group, the Mothership Ensemble.
Mothership Ensemble (debut performance at The Bard’s Town in Louisville, KY on December 9, 2012)
I’d been having conversations with a number of local composers about starting a new music ensemble. Since a number of musicians at IUS and I have been performing works by composer, Rachel Short, it made sense to just give ourselves a name and start expanding. The name was something of a fluke, and accident–which adds to the charm, so we were dubbed the Mothership at our first official outing as an actual new music group rather than just an arbitrary collection of musicians performing new works. The Mothership Ensemble functions something like a “community orchestra” in that we have players of a wide variety of skill levels and in various stages of their career as musicians.
Music students from UofL School of Music, IUS, members of the IUS Orchestra and other local, non-affiliated, musicians and amateur musicians get together to rehearse two times a week (once on the Indiana side and once on the Louisville side) and only ever fully play with each other as we do a show. We focus on large scale contemporary works with open instrumentation and smaller chamber works often written by local composers including me and co-founder, Rachel Short. We’re pleased to have composer, Jacob Gotlib, as an artistic adviser. I suppose we’ll have to call him Dr. Gotlib soon as he has just finished his dissertation in composition at SUNY. The group numbers close to 20 musicians but the most we’ve had for any one performance is 12, I believe.
The Mothership ensemble isn’t the only large chamber group doing new music in the area.
Orchestra Enigmatic (debut performance at St Francis In The Fields Episcopal Church in Harrods Creek, KY on January 25, 2013)
This chamber orchestra had 18 performers (plus a baritone soloist) for their debut concert which included Terry Riley’s “In C” as well as works by Haydn, Barber, and Shostakovich. As we can see the group pairs up new music with old–as their Facebook page states:
A new chamber orchestra in Louisville Ky, we seek to play good music, be it new or old. We’ll play Reich, we’ll play Tenney, and we’ll play them in the context of Beethoven, Bach, and Brahms.
Here’s some audio from their second concert of Dadá Malheiros’ “Baião Armorial” (world premiere):
The concert included Beethoven’s 2nd Symphony and another world premiere by P. Kellach Waddle’s “At the Snowy Bourbon Winter’s Twilight, Impression-Satz fur Kammersinphonie,” also a world premiere.
A/tonal (debut concert at Steifler Recital Hall in New Albany, IN on March 1, 2014)
A/tonal is another group which features both old and new music. As their Facebook page states:
Contemporary music ensemble bridging the gap between traditional and new music with unique musical experiences.
The primary instrumentation is flute (Amy Ensel), clarinet (Carrie Ravenscraft), and piano (Jessica Dorman). Cellist, Felix Borges (in the Orchestra Enigmatic quartet photo above), joined the group for the world premiere of one of two resident composers’ (Daniel Gilliam) works, “The Aggregate of Our Joy and Suffering,” which included a projected video by local video artist and filmaker, Ryan Daly. See an excerpt of the performance in the video below:
Composer, Erich Stem, rounds out the group. The program of their performance was posted at their Facebook page, here, rather than in a more traditional printed programs. As they state in their Facebook event:
A/Tonal was created with a mission to present music without the typical concert traditions. No paper program, no dress code, and phones on (but on silent) to share on your experience on Facebook at www.facebook.com/atonalensemble and Twitter @atonalensemble or with the hashtag #atonalshow
The latest group is Eight.dB, which had its first rehearsal last weekend. As the Facebook page says, “8dB is an experimental new music collective founded by Tim Miller and based in Louisville, KY.”
Lineup is currently:
Tim Miller – CONDUCTOR/ELECTRONICS
Traci Bluhm – FLUTES
John Moore – TENOR SAX
Russell Shartzer – TUBA
Adrienne Fontenot – PIANO
Sara Soltau – VIOLIN
Jon Silpayamanant – CELLO
Claire DiVizio – SOPRANO
This is the other new new music group I’m involved with and we’ll be focusing a lot on group improvisation, graphic scores and non-traditional notations, and electro-acoustic performance–all pretty standard new music techniques. I’m currently working on a graphic score which will be projected and manipulated in real-time (I’ll probably blog about this in the near future) which the group will perform at our first show.
And that rounds out the new new music groups in the area, and shows a wide variety of performance styles, instrumentation, and size. Given that the Louisville Orchestra will also be featuring a number of contemporary pieces and world premieres during their next concert season, the Louisville area is just brimming full of new music awesomeness. Add in the already flourishing underground experimental scene and University related computer, and improvised new music activity it shouldn’t be a surprise that one can easily find a show with new music to attend nearly every day of this month, and with luck the future!
Visit the NuMuLu website for info about New and Experimental Events in the Great Louisville Metro Area: http://numulu.org
I’ve started a website and facebook page that features new and experimental music in the Greater Louisville and Kentuckiana region. Sometimes it’s difficult knowing what is actually happening around you unless you have some place that aggregates all the relevant activity, events, and people involved in it.
I had once tried this in Indianapolis while I was more active in that scene and had a website which also served as the digital presence for an experimental music festival, INDYtron, I had started there in 2003. I let that domain go but have since archived some of that at at lonely facebook page. I also have an archival facebook space for the Chello Shed (most active from 1996 to 2000) which was a space and events entity I used to produce a several dozens of events and performances. That one has much more content, as I’ve slowly started digitizing programs, images, and audio/video for it.
With NuMuLu, I hope to take all that experience (there was tons of frustration involved with previous efforts) and tenacity (I dug up some of the most wonderful gems relating to experimental activity in the Indianapolis area, for example) and use the web spaces to let folks know what’s happeneing in this area–as well as what has happened in the area since the Louisville Orchestra had some international fame while it was doing the First Edition Records and the University of Louisville is host to one of the biggest prizes for composition, the Grawemeyer Award for Music Composition.