June 22, 2020 Jon Silpayamanant

Diversity, Inclusive Programming, and Music Education (part 4): Immigration

June 15, 2020July 1, 2020 Jon Silpayamanant

Diversity, Inclusive Programming, and Music Education (part 3): Assimilation

June 8, 2020June 13, 2020 Jon Silpayamanant

Diversity, Inclusive Programming, and Music Education (part 2): Postcolonialism

June 1, 2020June 13, 2020 Jon Silpayamanant

Diversity, Inclusive Programming, and Music Education (part 1)

February 16, 2020February 17, 2020 Jon Silpayamanant

Colonialistic Diversity: Decentering Eurocentric Orchestras and Normalizing *all* Composition

January 1, 2020January 1, 2020 Jon Silpayamanant

2020 is the year of #NotBeethoven

July 23, 2019July 24, 2019 Jon Silpayamanant

White Males Orchestras and America’s Other Orchestras

July 18, 2018June 27, 2020 Jon Silpayamanant

Diversity in Classical Music vs Diversity of Classical Music

January 25, 2018June 26, 2019 Jon Silpayamanant

American Orchestras that already regularly play music by POC

December 28, 2017December 29, 2017 Jon Silpayamanant

The Invisible Hand of the Great White Male Musical and Artistic Canons

November 17, 2017December 1, 2017 Jon Silpayamanant

Decolonizing the Musical Mind

July 24, 2017July 24, 2017 Jon Silpayamanant

There are covers and then, there are Covers

June 30, 2017June 30, 2017 Jon Silpayamanant

Knowing when to leave your band behind

June 13, 2017 Jon Silpayamanant

The Parochialism of “Everything Except Rap and Country”

June 11, 2017March 18, 2020 Jon Silpayamanant

When are too many bands a thing?

September 19, 2016September 19, 2016 Jon Silpayamanant

Orchestras in the US formed since 2000

March 27, 2016March 18, 2020 Jon Silpayamanant

“If you try to please everyone, you’ll end up pleasing no one.”

December 1, 2015November 19, 2016 Jon Silpayamanant

“…but, does that orchestra make any money?” and Life Cycles of Orchestras