Whither the Louisville Orchestra?

Image/still from "Music Makes a City" documentary about the Louisville Orchestra

Drew McManus has a good roundup of the current LO situation in his most recent post.  I really don’t have much to add except that given how closely I’d been following the situation I kinda saw this coming while I remained hopeful.  Drew also saw this coming: as an industry expert and consultant he’s seen this happen and saw all the checkpoints that lead to this destination.  His advice to the parties involved is in the post but I’ll post here for my reader’s convenience:

  • Managers & Staffers: get out of Dodge as fast as you can. There have been a number of very nice job openings posted at Adaptistration Jobs this past week; stop by and see if there’s one you’re qualified for.
  • Musicians: get out of Dodge as fast as you can. I know a number have already left for other work; some of which is orchestral playing but others have found academic positions.
  • CEO: save every penny, start planning for an employment transition, and take the first reasonable offer that comes along.
  • Board: unless staying in the fight offers some sort of side political benefit (in which case, I’m sorry), resign now and move on to a new philanthropic endeavor.
  • Patrons: buy a bottle (or twelve) of your favorite spirit, put on an old LO recording, and gently sob while lamenting the fact that you no longer have a professional symphonic orchestra.
I might disagree a little with Drew’s comment that “Neither side has displayed any real vision or leadership, which only reinforces the notion that having either side cave only prolongs the dysfunction” to an extent.  I thought the Keep Louisville Symphonic was a grand idea that, if it were allowed to, might have been a way actively involve the musicians in the LO organization in ways to help generate and maintain buzz about live Symphonic music.

 

In some ways I feel as if the musicians caved in too early with that organization (though technically it isn’t defunct organization by any means).  It could possible be part of the foundations of a new orchestra (or at be a part of the infrastructure that helps to create a new orchestra from these ashes).  What was difficult is that the organization was so clearly a plea to the LO as well as to patrons and that implicitly made it a threat to the LO organization itself (as one of the rejected contracts the LO gave to musicians in the past can attest).

 

Regardless, I think it might be best to cut the losses and move on with rebuilding an orchestra.  I think the musician owned Louisiana Phil might be an agreeable model for our musicians here!  Maybe what would have been the 75th anniversary (this past September) can now be the year of the new orchestra!

Louisville Orchestra in Survival Mode

"Music Makes a City" documentary of the Louisville Orchestra in celebration of its 75 anniversary

One thing to keep in mind with these discussions of Orchestras (at least in the states) is that there is a definite separation between the Orchestra itself as an organization (e.g. Louisville Orchestra) and the musicians and their organizations that make up the heart of the Orchestra (e.g. Louisville Orchestra Musicians Association; Keep Louisville Symphonic).

As I’ve been posting in various places on the interwebs, Drew McManus (as usual) has a really great round-up of many of the articles and pieces regarding the latest LO news: http://www.adaptistration.com/2011/06/02/events-heat-up-in-louisville/

In particular some of us are very interested in the attempts of the LO to short circuit many initiatives and avenues for the musicians’ voices (see the discussion about the KLS clause in the comments section in particular).

But what was really interesting was a sindicated piece I read earlier today in the Taipei Times (from where I adapted the title to this blog post) titled, “City orchestras in survival mode: The instability of support from private sponsors and large corporations is forcing cultural institutions to return to the drawing board,” by Vivian Schweitzer.  The piece caught my attention in particular because it uses the Louisville Orchestra as a frame of reference for the discussion of what the “Chicken Little Think Tank” are calling the [Orchestral] Classical Music crisis.  In particular references to the fomation of the LO and its rise after the flood of ’37 into what was for many years a highly respected status internationally. 

All of this comes to us in the DVD documentary, Music Makes a City, which the piece references:

Music Makes a City, an engaging documentary from last year about the Louisville Orchestra that was just released on DVD, offers an inspiring and cautionary tale of creative chutzpah and financial mismanagement. The orchestra, which itself filed for bankruptcy in December, was founded shortly after the floods that crippled Louisville, Kentucky, in 1937.

It began as a ragtag ensemble that rehearsed, according to the film, “in a gloomy room that smelled of stale beer.” A young conductor, Robert Whitney, quickly drummed the ensemble into shape, but financial problems loomed from the start. Charles Farnsley, the mayor of Louisville from 1948 to 1953, suggested that the orchestra, instead of spending money on glamorous soloists, commission new pieces: a policy that the board, though initially shocked, adopted. The endeavor was facilitated in 1953 by a US$400,000 grant from the Rockefeller Foundation to commission and record 52 compositions a year for three years. The DVD features lively interviews with some of the composers chosen, including Elliott Carter.

This remarkable venture, which resulted in works by Lukas Foss, Paul Hindemith, Roy Harris, Gunther Schuller and many others, put Louisville and its orchestra on the international cultural map and attracted luminaries like Shostakovich and Martha Graham to visit the city. But that wasn’t enough to fend off the regular financial crises that have dogged the orchestra over the decades since, until its recent bankruptcy filing.

I don’t want to make this post commentary heavy, but did want to share the above quote for some historical context–do read the Taipei Times piece!

I also found a recent blog post by another local blogger and pianist at Behind a Box of Strings that’s worth a read: http://youresomodest.blogspot.com/2011/06/learning-from-history.html

And another WFPL piece that recently popped up titled Possiblilities for the Louisville Orchestra.

And here’s a trailer for Music Makes a City:

Orchestra News

Dixon of Who's Minding the Score has this to say about the Philly Orchestra situation

Officially, the Louisville Orchestra currently employs no musicians.  Yesterday was the deadline for the bankruptcy reorganization plan to be submitted by the orchestra (which was actually filed on Monday), and midnight Tuesday is when the musicians current contract expires.  There was no new CBA agreed upon, hence no employed musicians.

Earlier last week, the concertmaster of the Detroit Symphony Orchestra, Emmanuelle Boisvert, leaves for the Dallas Symphony Orchestra after 23 years in that position with the Detroit SO.  Drew McManus has linked some interesting pieces regarding her departure which happens, of course, after the Orchestra and Musicians finally settle a months long dispute which resulted in a strike by the musicians.

And similarly like the Honolulu Symphony Orchestra earlier this year, the New Mexico Symphony Orchestra has risen from the ashes as the New Mexico Philharmonic.

 

In Ethnic Orchestra News

The Liverpool Pagoda Chinese Youth Orchestra recently got more funding.  There are a handful of Chinese Youth Symphonies in the US, many of which are feeders into the adult Chinese Orchestras in their respective regions.

I’m continuing to find even more Ethnic Orchestras in the US, a massive updating of my Ethnic Orchestras in North American Page is imminent.  At some point I will create a more useful database to correlate the growth of ethnic populations with the ethnic orchestras to give a better picture of the nature of the growth of these non-Western Orchestras throughout [especially] the US.

 

International Orchestra News

I found a recent blog about orchestra management that has a bit of an international focus that has some good reporting on some general issues as well as specific events reportage (such as the recent FIM International Orchestra Conference in Amsterdam).  The blog is simply titled, orchestramanament: Develop the Orchestra World.

 

Performance: IU Southeast Orchestra – Mahler Symphony No. 1 “Titan”

Gustav Mahler (July 1860 – 18 May 1911)

If you’re reading this it’s because I’ve set this to auto-post as I will be performing with the IU Southeast Orchestra.  We’re performing Mahler’s Symphony No. 1 in D Majoras well as the short work known as “Blumine” which for a few years served as the second movement to the Symphony before the composer excised the movement from later editions.  We will be playing it as the second movement for this performance.

Also, members and former members of the Louisville Orchestra will be joining us though officially in the capacity as “members of Keep Louisville Symphonic” since the Louisville Orchestra threatened the Louisville Orchestra Musicians Association with a lawsuit for using the “Louisville Orchestra” name.

Rather than bother you with my bad prose, I’ll post the press release our conductor, Dr. Joanna Goldstein, used for the purposes of promoting this concert.

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Orchestra News

Image of an Assyrian Orchestra, from a slab in the British Museum, dating from 7th century BC. There are 7 portable harps, a dulcimer, two double flutes, and a drum.

Detroit: Drew McManus posts some recent not-so-great news about the possible binding arbitration deal the DSO musicians wanted to begin negotiation with DSO management.

Philadelphia: Management have been threatening Chapter 11 for the Philadelphia Orchestra.



Honolulu: Drew also posts a link to the Liquidation Auction of the Honolulu Symphony Orchestra which filed Chapter 7 Bankruptcy last year after 110 years running.

Louisville: Despite the overturned Chapter 11 for the Louisville Orchestra, there are still difficulties as the LEO outlines very well.  Also notice that the Louisville Orchestra have effectively shut down the Louisville Orchestra Musicians Association website which is one of the reasons we’ve been seeing Keep Louisville Symphonic in our parts.

Brazil: Brazil Symphony Orchestra to re-audition the whole orchestra???

In other news related to my research.  Last weekend as I was working on my database for ethnic orchestras (see my post Music of the Whole World: The ABCs of Intercultural Music) I was just stunned with the numbers of organizations I’ve been coming up with.  After 1990 it almost seems like an exponential blossoming of ensembles and increasingly larger and larger ensembles (this is just for North America).

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