Jon Silpayamanant with Raks Makam, Sabah (director of the Bellydance Superstars) and members of Crescent Moon Dance after our performance in Louisville during the Club Bellydance tour
So I’ve technically done my first drum solo now. Sure I’ve drummed for dancers for years and have played for who knows how many dancers, but tonight (or technically, last night) I’ve performed my first honest to goodness drum solo. Sure, I’ve been in settings where I’ve played back up for another drum soloist (and I understand that the idea of a ‘drum solo’ can be confusing when it can include more than one musician and/or dancers, but indulge me for a bit) and have drummed ‘solo’ in workshop settings for dancers playing rhythms as a teaching tool for workshop attendees.
But never as a soloist in a performative setting.
The biggest irony here is that the many years of playing drums included mainly playing Egyptian tabla or other Middle Eastern drums for mostly bellydancers (the occasional gig playing with Greek bands or my Balkan band, Kermes for Greek folk dancers and Balkan folk dancers notwithstanding). What is ironic is that my first drum solo happened to be on the doira, for Uzbek dance. And it looks like most of my drum soloing will include many more Central Asian styles–the next piece that Raks Makam will be working on is a Bukharan doira solo. I’m stoked for this and so looking forward to learning more about all this wonderful Central Asian music!
Most importantly, I just love working so closely with dancers. Really I love working with any collaborators in general, but especially non-musicians, and most especially with artists in an art form that is so closely tied to music as dance is.
Being a soloist (musician) means a couple of obvious things. No one else is responsible for learning the music but me, which means that while I have no one getting in the way of picking up a new tune. The other thing is I also have no one else to rely on if things go awry musically. I’ll trade the one pressure for the other in a heartbeat!
Ok, I must get some sleep before heading up to Chicago to play some Klingon music!
S.A.R.A. "Sounds and Rhythms of Afghanistan"
So tonight I will be going to the Kentucky Center for the Performing Arts to see S.A.R.A. (Sounds and Rhythms of Afghanistan). This show will be exciting as I’ve spent so much time the past couple of years learning about the Uzbek doira through the career of Abbos Kosimov and he is actually a member of this ensemble!
Four of Asia’s most acclaimed musicians come together for a fusion of cultures and art forms to create SARA, featuring Salar Nader, who thrilled local audiences in Actors Theatre’s production of The Kite Runner, and Homayoun Sakhi, master of the rubâb (the national lute of Afghanistan). Drawing on centuries’ old heritages from throughout Central and South Asia, SARA explores musical styles both ancient and completely modern.
I had no idea this group existed until seeing some of the advertisements for this show recently. This is going to be a nice prelude to my show tomorrow night with Raks Makam where I’ll be playing a doira solo with dancers. This is a part of a tour with members of the Bellydance Superstars called Club Bellydance which features local acts in the first half of the show.
I never thought I would get a chance to Kosimov so soon–this will definitely be a treat, as will the show tomorrow night. And just getting a chance to hear classical Afghani music will be a pleasure as there are so many similarities to South Asian classical music but I’ve never had a chance to hear the former live.
If you are reading this, it’s because it was written earlier today and set to future post as I will be performing at the Greek Islands Restaurant in Indianapolis when this autoposts. The group I’ll be playing with is one I co-founded with vocalist and mandolinist, Robert Bruce Scott, in May of 2004, il Troubadore. Rather than give you my bad prose description of us or repost our bio from the website url I just linked, the image below, from the Indianapolis Star written by David Lindquist could just as easily condense what we’re about.
il Troubadore in the Indianapolis Star
We will be hosting our monthly World Music and Dance night at the Greek Islands Restaurant in Indianapolis, a business run by the Stergiopoulos family since 1987. We call the monthly event the Greek Islands Hafla. The Arabic word, hafla, means “party” but in connection with bellydance communities it has taken on a life of its own. This is a description from Shira.net website:
Hafla. (Pronounced “HAHF lah”.) This basically refers to a party. A private hafla thrown by a belly dancer usually involves Middle Eastern music (sometimes live musicians jamming, sometimes just taped music), dancers taking turns performing for each other, and some open-floor dancing for everyone to get up and enjoy the music. A more public hafla may be effectively a full belly dance festival, with vendors selling their wares and a more formalized stage show.
The local bellydancers in the Central Indiana area know the Greek Islands Hafla as a bellydance night though we do occasionally have some folk dancers that pop in from time to time.
I’ll probably be there until about midnight or so so won’t get a chance to post today hence the autopost. And for you perusal, here’s a video of us performing at Kira’s Oasis in the Dayton, Ohio area (11 September 2009) for a fabulous dancer, Sherena, who used to be a member of the internationally touring Bellydance Superstars. The tune is a Greek Laika by Manos Hadjidakis called Milise Mou (“Talk to Me”) and a favorite of our bellydancers.