Jim Carrey, Steve Martin, Classical Music, and why you might not want to follow your passion…

Carrey-ComSpeech

I’m sure most of you have seen the recent Jim Carrey commencement speech (or at least the shortened clickbait version).  If not, here’s the short one:

While it is inspirational and uplifting if we put aside some of the issues of privilege in Carrey’s situation which I’ve been having discussions about with some folks elsewhere, this Salon.com piece, Dear graduates: Don’t follow your dreams (A commencement speech for the mediocre), by Tim Donovan reiterates what I’ve talked about regarding Survivorship Bias in two previous posts. Interestingly, Donovan’s piece isn’t specifically a response to Carrey’s speech as the post was published two days prior to the Maharishi University of Management Graduation.

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Covers vs. Originals: Why classical musicians might not want to think like rock bands

IronMaiden-IronMaidens

In the previous post in this series I mentioned that I would be exploring narrow ideas of “Success” in discussions from some Classical Music Crisis folks. I brought up the phenomenon known as Survivorship Bias and how our models for success can be skewed by survivors while missing possibly more relevant data that can be learned from “failures,” which are far more numerous. In this post I’ll be discussing one of the perennial debates that local band musicians love to have, Covers vs. Originals, and how that fits into the wider debate of “Success” and modeling Rock/Pop band marketing, entrepreneurial, or gigging strategies.

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Survivorship Bias: Why classical musicians might not want to think like rock bands

Break-GOT

*EDITED for content, clarity, and minimization of polarizing langauge*

This is going to be the first in a series of posts exploring narrow ideas of “Success” in discussions from some Classical Music Crisis folks.

Survivorship bias also flash-freezes your brain into a state of ignorance from which you believe success is more common than it truly is and therefore you leap to the conclusion that it also must be easier to obtain. You develop a completely inaccurate assessment of reality thanks to a prejudice that grants the tiny number of survivors the privilege of representing the much larger group to which they originally belonged.

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Why haven’t you started your own music group?

CantinaBandAuditions

I was having a conversation with composer, Kevin James, a few days ago about our Alma Mater, DePauw University and he mentioned that one of the things he hadn’t seen there while he was on an advisory committee for the direction of the music school is students playing in ensembles that they weren’t required to be in for a class or ensemble/chamber music credit. A couple weeks ago,  Sugar Vendil wrote a piece for NewMusicBox asking the question, “Should I Start a New Music Ensemble?”

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Vampire shows, Fragmentation & Oversupply, and the “Classical Music Crisis”

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While watching the second episode of Penny Dreadful, I was struck by a thought* — I just don’t have time to watch all these geek themed television shows! Penny Dreadful is just the latest of shows which features vampires.  The recently cancelled Dracula series, The Vampire Diaries and its spin-off, The Originals, and Being Human are series which center on stories of vampires. Like Penny Dreadful, the Lost Girl, Supernatural, and even Da Vinci’s Demons are set in worlds where vampires exist**.

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